Wednesday, 30 June 2021

Thomas Attwood Walmisley

Thomas Attwood Walmisley (21 January 1814 – 17 January 1856) was the son of Thomas Forbes Gerrard Walmisley, a well-known organist and composer of church music. Both in a privileged, musical family, both his father and his godfather Thomas Attwood had a significant influence on the young musician's life and career.

Thomas Attwood Walmisley

Thomas Forbes Gerrard Walmisley (Walmisley' father)
Walmisley senior was born in Westminster, London in 1783, the third son of William Walmisley, Clerk of the House of Lords papers. Like his brothers, he was a chorister at Westminster Abbey, and was educated at Westminster School. He studied music with John Spencer and Thomas Attwood (see below) and in 1796 is recorded as having sung in oratorios in Covent Garden. In 1814 he succeeded Robert Cooke as organist of St Martin-in-the-Fields resigning, with a pension, in March 1854. From 1803 he taught piano and singing becoming famous as a teacher; his alumni included Edward John Hopkins. In 1810 Walmisley married the eldest daughter of William Capon, an architectural draftsman. Thomas Attwood Walmisley was his eldest son (of six sons and four daughters who survived infancy), whose Cathedral Music he edited in 1857. 

Thomas Attwood (Walmisley's godfather)
His godfather was the composer and organist Thomas Attwood wo took responsibility for the boy Walmisley's education and music tuition. Born the son of a musician in the royal band, at the age of nine Attwood became a chorister in the Chapel Royal, where he received training in music from James Nares and Edmund Ayrton. In 1783 he was sent to study abroad at the expense of the Prince of Wales (afterwards King George IV), who had been impressed by his skill at the harpsichord. After two years in Naples, Attwood proceeded to Vienna, where he became a favourite pupil of Mozart. On his return to London in 1787 he held for a short time an appointment as one of the chamber musicians to the Prince of Wales. 

With the support of these two musicians Thomas Attwood Walmisley excellent academically and musically. He was organist of Croydon Parish Church in 1830 before becoming organist at Trinity College, Cambridge in 1833 at the age of 19, where he became well known for his composition. (He was simultaneously organist for the Choir of St John's College, Cambridge.) Graduating in music, he went on to obtain his Doctorate. In 1836 Walmisley was made Professor of Music at Cambridge. His bond with his father sustained throughout his life, his father editing his cathedral music edited after his death. Walmisley died in 1856, and is buried in the churchyard of St Andrew's Church, Fairlight, East Sussex.

John E West has suggested his premature death was 'hastened by an unwise indulgence in lethal remedies'. Stanford commented that 'Walmisley … was a victim of four o’clock dinners in Hall, and long symposiums in the Combination Room after; and being a somewhat lonely bachelor, the excellent port of the College cellars was, at times, more his master than his servant'. As a composer, Walmisley is chiefly known for his setting of the Evening Canticles in D minor, perhaps the only Magnificat which begins with the bass and tenor lines at full volume - certainly not a typical "Song of Mary"!

Thursday, 3 June 2021

Corpus Christi - Celebrating the Institution of the Eucharist

The festival of Corpus Christi celebrates the Eucharist as the body of Christ. The name 'Corpus Christi' is Latin for 'the body of Christ' and the feast is celebrated by Roman Catholics and other Christians to proclaim the truth of the transubstantiation of bread and wine into the actual body of Christ during Mass. In some countries in the world, Catholic churches still celebrate the festival, not only with a Mass, but also with a procession that carries the consecrated wafer through the streets as a public statement that the sacrifice of Christ was for the salvation of the whole world.  

In the Church of England this feast is liturgically celebrated on the Thursday after Trinity Sunday and is known as the Day of Thanksgiving for the Institution of Holy Communion (Corpus Christi), which this year is June 3rd. Christians already mark the Last Supper, when Christ instituted the Eucharist, on Maundy Thursday (the day before Good Friday). Because Maundy Thursday falls during the solemn period of Holy Week, it was thought necessary to have a separate festival of the Eucharist that would allow the celebration not to be muted by sadness. The feast was proposed by Saint Thomas Aquinas who was inspired by the religious experience of St Juliana (1193-1258), a Belgian nun. He asked Pope Urban IV to create a feast focused solely on the Holy Eucharist, emphasising the joy of the Eucharist being the Body and Blood, Soul and Divinity of Jesus Christ. For Catholics, the host contains the real presence of Christ, and it is displayed on a 'monstrance' and treated as Christ in human form would be treated, with reverence, ceremony and adoration. 

Photo by Maria Oswalt on Unsplash

The feast of Corpus Christi was suppressed in Protestant churches in the Reformation for theological reasons as Protestants deny the real presence of Christ in the Eucharist other than as a symbolic or spiritual presence. As the English Reformation progressed the Church of England abolished the feast of Corpus Christi in 1548, but later reintroduced it in Anglicised form. Most Anglican churches now observe Corpus Christi, sometimes under the name "Thanksgiving for the Institution of Holy Communion". 

The liturgy 
Corpus Christi is often marked by a service originally devised by Thomas Aquinas.  It includes five great hymns, including Panis Angelicus (part of a longer hymn called Sacris Solemniis, 'At this our solemn feast') and Pange lingua ('Sing, my tongue')